read-chocolate-books:

READING…

Sharp Objects, by Gillian Flynn:

When two girls are abducted and killed in Missouri, journalist Camille Preaker is sent back to her home town to report on the crimes. Long-haunted by a childhood tragedy and estranged from her mother for years, Camille suddenly finds herself installed once again in her family’s mansion, reacquainting herself with her distant mother and the half-sister she barely knows – a precocious 13-year-old who holds a disquieting grip on the town. As Camille works to uncover the truth about these violent crimes, she finds herself identifying with the young victims – a bit too strongly. Clues keep leading to dead ends, forcing Camille to unravel the psychological puzzle of her own past to get at the story. Dogged by her own demons, Camille will have to confront what happened to her years before if she wants to survive this homecoming.

indigo-night-wisp:

So… sometimes, I will read a book, and then later, I will tell someone, “I love this book.” And they’ll be all like, “Oh, okay, cool, uh-huh.” And I’m like, “No. You Don’t Understand. I. Love. This. Book.”

Runemarks, by Joanne Harris, is one such book. It’s basically everything I want in original fiction based off of Norse mythology. Not only is the heroine a 14 year old girl who is just plain awesome, but the characterizations for the Aesir and the Vanir are just amazing. Absolutely amazing.

Particularly for Loki, who, I’m sure it comes as no surprise, I have a definite soft spot for. Never, in fiction, have I ever come across a Loki who fits so well with what I see in the original Norse myths. Instead of a Loki who is malicious and villainous, he is a Loki who often is in over his head, but too stubborn (or too deep) to admit it. He plays both sides, and is always on his own, but he holds a certain loyalty for the Aesir, who took him in so long ago. Loki spends most of the book being kicked around, losing his glam, falling to pieces, getting beaten up by a 14 year old girl (main character Maddy Smith, being awesome as always), being out-played by the bad guys, and just generally being his usual self (as Norse mythology portrays). He is a perfect fit, and I love him dearly.

Okay, enough about Loki (as if, but for a little while, at least). Let’s talk Odin. Odin, One-eye, the Allfather. The “General,” in Runemarks. Odin is a mess, though somewhat less of one than Loki. His glam is in shreds, he looks like an old man, his allies are suspicious of him, at least one of them has totally turned against him, and to top it all off, he’s got family members crawling out of the woodworks. All in all, pretty stressful. But he’s still himself, still tricksy and false, still the man with the plan, even if the plan is something less like, “We will conquer them all!” and something more like, “We will die trying.” AND, Odin actually acknowledges his brother (ahem, that would be Loki, for those who aren’t in the know), and tries to save him, even when the rest of the gods would leave Loki to his doom. (See, it’s really all about Loki in the end.)

Except for Maddy Smith, who really should have gone first, because she is, in fact, the main character. No spoilers, for those who will naturally want to read the book after reading this little… thing, but she is in fact a character from the myths, though she is an original character in her own right. It’s complicated, as so many things in Norse mythology are. But let’s talk Maddy: powerful, intelligent, cunning, in her way. She trusts Loki, which is such a bad idea, I cannot even, but it endears me to her immensely, for reasons which I’m sure are obvious. Also, she adores Odin, who was her teacher since she was young, though she doesn’t know who he is exactly until later. She’s got glam, which has nothing whatsoever to do with shiny things. (Well, okay, a little bit to do with shiny things.) It’s powerful. She beats up Loki a lot. Sometimes it’s even on purpose. (No, but seriously though, the amount of times Maddy injures Loki on accident is bordering on running gag material by the end of the book.) She is literally the most important character in the book. Everyone is after her, in some way, shape, or form (puns, totally intended: read the book and you’ll get them too!). And… and yeah, no spoilers, but Maddy is awesome.

I could get into all the other Aesir and Vanir and the excellent, excellent characterization. I could also get into the bad guys of the book, who are definitely NOT who you’d expect them to be. But I won’t, because there are like a gazillion of them. Suffice to say: characterization is spot-on, and the bad guys are delightfully twisty.

And may I just gush, one last time, about Loki? Because he is perfect, really. Spot-on. From the way he looks out for himself first of all, and his “family” secondly, and reluctantly, to the way he is constantly getting into trouble (in one book!) because of poor planning, curiosity, or atrocious luck, to the way he tries so hard not to care, to this gem: “‘Your son?’ said Maddy. ‘Gods, Loki, is there anyone here you’re not related to?’” His fear of snakes, his devil-may-care attitude hiding deeper hurts and cares, his delight in battle, his Fiery Aspect. All of it, is absolutely brilliant. I cannot gush enough.

Plus, there’s a sequel. 🙂

Okay, ranting done. Now, since you definitely want to read this book now, but don’t want to scroll to the top of this long long text post, here’s the title and author again:

Runemarks, by Joanne Harris

You are welcome.

Download free fucking books!

vaspim:

A fuckload of classic literature:

  1. 1984 by George Orwell
  2. A Christmas Carol by Charles Dickens
  3. A Portrait of the Artist as a Young Man by James Joyce
  4. A Tale of Two Cities by Charles Dickens
  5. Aesop’s Fables by Aesop
  6. Agnes Grey by Anne Brontë
  7. Alice’s Adventures in Wonderland by Lewis Caroll
  8. Andersen’s Fairy Tales by Hans Christian Andersen
  9. Anne of Green Gables by Lucy Maud Montgomery
  10. Anna Karenina by Leo Tolstoy
  11. Around the World in 80 Days by Jules Verne
  12. Beyond Good and Evil by Friedrich Nietzsche
  13. Bleak House by Charles Dickens
  14. Crime and Punishment by Fyodor Dostoevsky
  15. David Copperfield by Charles Dickens
  16. Down and Out in Paris and London by George Orwell
  17. Dracula by Bram Stoker
  18. Dubliners by James Joyce
  19. Emma by Jane Austen
  20. Erewhon by Samuel Butler
  21. For the Term of His Natural Life by Marcus Clarke
  22. Frankenstein by Mary Shelley
  23. Great Expectations by Charles Dickens
  24. Grimms Fairy Tales by the brothers Grimm
  25. Gulliver’s Travels by Jonathan Swift
  26. Heart of Darkness by Joseph Conrad
  27. Jane Eyre by Charlotte Bronte
  28. Kidnapped by Robert Louis Stevenson
  29. Lady Chatterly’s Lover by D. H. Lawrence
  30. Les Miserables by Victor Hugo
  31. Little Women by Louisa May Alcott
  32. Madame Bovary by Gustave Flaubert
  33. Middlemarch by George Eliot
  34. Moby Dick by Herman Melville
  35. Northanger Abbey by Jane Austen
  36. Nostromo: A Tale of the Seaboard by Joseph Conrad
  37. Notes from the Underground by Fyodor Dostoevsky
  38. Of Human Bondage by W. Somerset Maugham
  39. Oliver Twist by Charles Dickens
  40. Paradise Lost by John Milton
  41. Persuasion by Jane Austen
  42. Pollyanna by Eleanor H. Porter
  43. Pride and Prejudice by Jane Austen
  44. Robinson Crusoe by Daniel Defoe
  45. Sense and Sensibility, by Jane Austen
  46. Sons and Lovers by D. H. Lawrence
  47. Swanns Way by Marcel Proust
  48. Tarzan of the Apes by Edgar Rice Burroughs
  49. Tender is the Night by F. Scott Fitzgerald
  50. Tess of the d’Urbervilles by Thomas Hardy
  51. The Adventures of Huckleberry Finn by Mark Twain
  52. The Adventures of Tom Sawyer by Mark Twain
  53. The Brothers Karamazov, by Fyodor Dostoevsky
  54. The Great Gatsby
  55. The Hound of the Baskervilles by Arthur Conan Doyle
  56. The Idiot by Fyodor Dostoevsky
  57. The Iliad by Homer
  58. The Island of Doctor Moreau by H. G. Wells
  59. The Jungle Book by Rudyard Kipling
  60. The Last of the Mohicans by James Fenimore Cooper
  61. The Legend of Sleepy Hollow by Washington Irving
  62. The Odyssey by Homer
  63. The Merry Adventures of Robin Hood by Howard Pyle
  64. The Metamorphosis by Franz Kafka
  65. The Picture of Dorian Gray by Oscar Wilde
  66. The Portrait of a Lady by Henry James
  67. The Prince by Nicolo Machiavelli
  68. The Scarlet Pimpernel by Baroness Orczy
  69. The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson
  70. The Tales of Mother Goose by Charles Perrault
  71. The Thirty Nine Steps by John Buchan
  72. The Three Musketeers by Alexandre Duma
  73. The Time Machine by H. G. Wells
  74. The Trial by Franz Kafka
  75. The War of the Worlds by H. G. Wells
  76. Treasure Island by Robert Louis Stevenson
  77. Ulysses by James Joyce
  78. Utopia by Sir Thomas More
  79. Vanity Fair by William Makepeace Thackeray
  80. Within A Budding Grove by Marcel Proust
  81. Women In Love by D. H. Lawrence
  82. Wuthering Heights by Emily Brontë

Click on the motherfucking Hypelinks bitches.

Here! Have a fuckload of modern literature, too!

  1. A Clockwork Orange – Anthony Burgess
  2. A Study In Scarlet – Sir Arthur Conan Doyle
  3. Abraham Lincoln, Vampire Hunter – Seth Grahame-Smith
  4. An Abundance of Katherines – John Green
  5. Artemis Fowl – Eoin Colfer
  6. Bossypants – Tina Fey
  7. Breakfast At Tiffany’s – Truman Capote
  8. Bridget Jones’s Diary – Helen Fielding
  9. Catcher In The Rye – J.D. Salinger
  10. Charlie And The Chocolate Factory – Roald Dahl
  11. City of Bones – Cassandra Clare
  12. Clockwork Angel – Cassandra Clare
  13. Damned – Chuck Palahniuk
  14. Darkly Dreaming Dexter – Jeff Lindsay
  15. Dead Until Dark – Charlaine Harris
  16. Ender’s Game – Orson Scott Card
  17. Everything Is Illuminated – Jonathan Safran Foer
  18. Extremely Loud and Incredibly Close – Jonathan Safran Foer
  19. Fahrenheit 451 – Ray Bradbury
  20. Fight Club – Chuck Palahniuk
  21. Go The Fuck To Sleep – Adam Mansbach
  22. I Am America (And So Can You!) – Stephen Colbert
  23. I Am Number Four – Pittacus Lore
  24. Inkheart – Cornelia Funke
  25. It – Stephen King
  26. Life of Pi – Yann Martel
  27. Lolita – Vladmir Nabokov
  28. Marked – Kristin Cast
  29. Memoirs Of A Geisha – Arthur Golden
  30. My Sister’s Keeper – Jodi Picoult
  31. Never Let Me Go – Kazuo Ishiguro
  32. One Day – David Nicholls
  33. Paper Towns – John Green
  34. Percy Jackson and the Olympians: The Lightening Thief – Rick Riordan
  35. Pretty Little Liars – Sara Shepard
  36. Slaughterhouse Five – Kurt Vonnegut
  37. Snow White And The Huntsman – Lily Blake
  38. The Book Thief – Markus Zusak
  39. The Bourne Identity – Robert Ludlum
  40. The Giver – Lois Lowry
  41. The Hunger Games – Suzanne Collins
  42. The Kite Runner – Khaled Hosseini
  43. The Lovely Bones – Alice Sebold
  44. The Notebook – Nicholas Sparks
  45. The Outsiders – S.E. Hinton
  46. The Perks of Being A Wallflower – Stephen Chbosky
  47. The Princess Diaries – Meg Cabot
  48. The Things They Carried – Tim O’Brien
  49. The Time Traveler’s Wife – Audrey Niffenegger
  50. The Ultimate Hitchhiker’s Guide To The Galaxy – Douglas Adams
  51. Tuesdays With Morrie – Mitch Albom
  52. Uglies – Scott Westerfeld
  53. Vampire Diaries: The Awakening – L.J. Smith
  54. Water For Elephants – Sara Gruen
  55. Wicked – Gregory Maguire

God bless this post.

Download free fucking books!

Why I dislike The Fault in Our Stars

motherhenna:

So, I’ve been getting a lot of asks over the last few months asking why I strongly dislike TFIOS by John Green as much as I do. And for the most part, all the recent askers have been surprisingly polite, considering the more aggressive ones I’ve received in the past on the subject. Anyway, I’ve answered a bunch of them separately, but I’ve decided to condense all of my theories, opinions and arguments into one succinct post.

Read More

longlivetheprintedword:

Phillip Pullman – His Dark Materials. 

Artist – Peter Bailey 

Publisher – The Folio Society 

”The heroine of His Dark Materials is 12-year-old Lyra Belacqua, who lives half-wild and carefree with her animal dæmon among the scholars of Jordan College, Oxford. Lyra’s guardian, Lord Asriel, has made an enemy of the sinister and all-powerful Church authorities – the Magisterium. Caught up in the conflict, Lyra must travel great distances, to the frozen Arctic wastes and beyond, towards a fateful encounter with Will Parry, a fugitive boy from another world. When Lyra and Will join forces, their perilous journey leads them to a decisive battle between freedom and authority, in which Lyra will play the ultimate part.”